
Random Ramblings 10-27-06 The Anita Blake comic hasn’t progressed enough for me to make a judgment yet. I hope it turns out to be a good story; I like vampire stories, I just haven’t latched onto any vampire comics.
Perhaps The Penultimate Peril was too tough of an act to follow. The first twelve books of the series contained motifs tied to the theme of the story. The End began with the imagery of the layers of an onion. Unfortunately, the story’s message was that one cannot penetrate all of the layers of this complicated world. Considering the tone of the series, I didn’t expect to see all the villains defeated and all the woes simply vanish, however, too many elements of the series were left unresolved. The story takes place on an island, more-or-less removed from the mysteries and secret organization that has plagued the Baudelaires. Apart from the Baudelaires themselves and the villainous Count Olaf, Kit was the only character who returned in the final book. We don’t know what happened to Captain Widdershins or Phil or why they abandoned the Baudelaires two books ago. We don’t know the fate of the Quagmires, Hector, Fernald, or Fiona. We don’t know the importance of the figurine in Caligari Carnival. And most infuriating to me, we don’t know what was in the sugar bowl, why it was so important to everyone, or the whereabouts of the man who had it at the end of The Penultimate Peril. We do find Captain Widdershin’s wife—as well as yet another third sibling—but she was barely developed as a character. In fact, the biggest reveal—which occurred at the very end of the book—was one I guessed some time ago. Instead of trying to clear up all the subplots of the first twelve books, The End told the story of the Baudelaires finally arriving at a safe place, which turned out to be a pseudo-Eden, complete with a tree of knowledge and a rather familiar serpent. With the island being a “safe place,” Count Olaf lost most of the wind from his sails. During The Penultimate Peril, Olaf began to develop beyond simply being a greedy, vain, and disgusting villain. In The End, Olaf’s character development did not continue until the end of the book. Here lies the crux for me. While Olaf’s story felt tacked onto the end, there was a sense of poignancy to this subplot. Olaf was still an evil man at the closing of the book, but he proved to be a man rather than a monster. By the end of the book, I felt like one of the Baudelaires standing silently at a certain grave, reflecting on what it all might mean. While the story may have been better had certain aspects been resolved, the series—despite being a children’s story—is not a simple story. Instead of giving an easy answer, the books provoke thought and emotion. For those who haven’t read The End—or perhaps none of the books from A Series of Unfortunate Events—my advice is to get your hands on these books as soon as possible. Do it now! I promise I won’t ramble so much next time.
Speaking of reading, it seems J.R.R. Tolkien is still turning out books. Of course, I haven’t even read The Silmarillion yet. http://news.yahoo.com/s/ap/20060918/ap_on_en_ot/books_new_tolkien_1
I can do this. |
all art and story © by Jeff Wilson